Canadian Modern Architecture by
Royal Architectural Institute of Canada (RAIC) President's Medal Award (multi-media representation of architecture). Canada's most distinguished architectural critics and scholars offer fresh insights into the country's unique modern and contemporary architecture. Beginning with the nation's centennial and Expo 67 in Montreal, this fifty-year retrospective covers the defining of national institutions and movements: * How Canadian architects interpreted major external trends * Regional and indigenous architectural tendencies * The influence of architects in Canada's three largest cities: Toronto, Montreal, and Vancouver Co-published with Canadian Architect, this comprehensive reference book is extensively illustrated and includes fifteen specially commissioned essays.
Parallel Cities by
Parallel Cities examines the history of the multilevel city with a focus on elevated pedestrian systems as a recurrent concept in urban planning and design. The book chronicles the evolution and migration of this concept from 19th-century French social utopian thinkers and 20th-century Soviet Constructivist architectural circles to its incubation in postwar London, its theorization by members of CIAM and Team 10, and its eventual dissemination to North America and Asia, where extensive systems were built in cities such as Minneapolis, Calgary and Hong Kong. This fascinating and untold history explores an architectural idea as it evolves under varying social, geographic and political contexts--charting its use as an ever-shifting multipurpose tool to segregate or commingle the classes, foster social cohesion and the public good, facilitate security and surveillance, improve pedestrian safety and traffic flows, or to enhance retail consumption by ameliorating climatic extremes. The implementation of streets above streets creates parallel cities, not mirrored but alternate realities where questions about access, use and control emerge. The book considers both radical visionary schemes of the future urban metropolis by progressive architects and the grand, if visually more mundane, implementation plans of extensive networks built in cities around the world that engender what the authors call a surreptitious urbanism. The first and only comprehensive book on the subject, Parallel Cities represents important new scholarly research on a topic that remains a persistent theme in architecture and urban planning. Accompanying the extensively illustrated text is a lexicon of related terms and an appendix of specific systems drawn from key cities.
MIAS Architects at Centre Pompidou by
"As a kid who wanted to be an architect you could either make clay shapes, drag pieces of driftwood into vague boxes--or put together Meccano cages. I followed the last option and surely so did Josep Miás". --Peter Cook Tracing through the pieces being published, you sense that Josep Miás is essentially a man who takes strips and edges and develops them into meshes, and then maybe combs, and then maybe honeycombs with a conspicuously boyish delight in making the sketch, the linear diagram, the scale model and the built building. Underlying the apparently fearless is a sense of what can fly, swing, lurch, lean or rest: in other words the composite that makes something possible to be as it is in space. MiAS Architects is an internationally recognized Architecture and Urbanism Studio, founded by Josep Miás in 2000, known for both its innovative experimental projects and its practice combining sustainable technology, innovative manufacturing and cutting edge construction practices.
The Architecture Student's Handbook of Professional Practice by
The essential guide to beginning your career in architecture The Architecture Student's Handbook of Professional Practice opens the door to the vast body of knowledge required to effectively manage architectural projects and practice. A professional architect is responsible for much more than design; this book is specifically designed to help prepare you for the business and administrative challenges of working in the real-world--whether you are a student or are just starting out in practice. It provides clear insight into the legal, financial, marketing, management, and administrative tasks and issues that are integral to keeping a firm running. This new edition has been restructured to be a companion textbook for students undertaking architectural practice classes, while also fulfilling the specific knowledge needs of interns and emerging professionals. It supplements information from the professional handbook with new content aimed at those setting out in the architectural profession and starting to navigate their careers. New topics covered in this new edition include: path to licensure, firm identity, professional development, strategic planning, and integrated project delivery. Whether you want to work at a top firm, strike out on your own, or start the next up-and-coming team, the business of architecture is a critical factor in your success. This book brings the fundamentals together to give you a one-stop resource for learning the reality of architectural practice. Learn the architect's legal and ethical responsibilities Understand the processes of starting and running your own firm Develop, manage, and deliver projects on time and on budget Become familiar with standard industry agreements and contracts Few architects were drawn to the profession by dreams of writing agreements and negotiating contracts, but those who excel at these everyday essential tasks impact their practice in innumerable ways. The Architecture Student's Handbook of Professional Practice provides access to the "nuts and bolts" that keep a firm alive, stable, and financially sound.
Edge of Order by
A stunning tour of the work of internationally known architect Daniel Libeskind and an investigation of a master artist's creative process. Daniel Libeskind is one of the foremost architects of our time, a self-proclaimed rebel celebrated for innovative, site-conscious designs, including the Jewish Museum Berlin and New York's World Trade Center Redevelopment. He has also emerged as one of architecture's most visible public ambassadors. In Edge of Order, Libeskind opens the door to his unique creative process, guiding us through a selection of his projects never before collected--both built and unrealized, major commissions and unexpected favorites--and revealing how he arrived at their designs through text and a rich array of visuals, including drawings, plans, and photographs. With a voracious appetite for culture and history, and an encyclopedic memory, Libeskind draws on everything from Greek mythology to Emily Dickinson to the Marx Brothers to explain the way he thinks about buildings and cities. Far more than a monograph, Edge of Order is both an essential document of Libeskind's remarkable career and an intimate portrait of an artist that will encourage creative people in any field to discover new points of inspiration.
Teaching Architecture by
What are the pressing questions in architecture - in teaching, research and practice? Based on their many years of experience, professors Inès Lamunière and Laurent Stalder come together in five meetings to search for answers. They describe an approach to architecture that is based on intellect as well as intuition and is both strict and pragmatic. And they sketch out creative processes that are indispensable in the development of projects with all their constraints in order to master the future challenges faced by the art of building.
Design for Living by
The Institute for Advanced Architecture of Catalonia calls its 8th Advanced Architecture Contest titled "Design for Living," an opportunity for a global reflection to rethink human habitats where 126 proposals from all around the world help to shape our understanding of contemporary design and architecture. This effort offers the opportunity for a global reflection to rethink human habitats, at a time when the fight for life and climate allows us to consider how we would like to live in the coming decades. We like to think that each person's life begins at home, which is the center of their universe and the origin of their social interactions. During the pandemic, we had been confined to our homes and they have become microcities where we live, work and rest, connected to the world through information networks. So, after this experience, how do we imagine the future for our living environment? The contest encourages participants to propose a design related to their way of life, at the scale that most interests them from our bodies to the city, anywhere in the world, and that reflects different cultural, environmental, economic or social conditions. In total, the competition received 193 proposals from all around the world and the book includes all the rules and results of the competition, the 33 members of the international jury and the images and information of 126 selected projects. Seen as a whole, this effort serves to build a contemporary vision of the conditions that are currently shaping design and architecture and will continue to shape it in the following years.
The Many Faces of Art Forgery by
Forgery is a provocative presence in the art world, inspiring news stories and books about famous fraudsters, and occasional scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery: From the Dark Side to Shades of Gray provides a unique treatment incorporating historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The story of art forgery from antiquity to the present, with eighty named forgers, How scientific analysis is both effective and limited in exposing forgeries, Multiple definitions for the term "forgery" as applied in art, How restoration, appropriation art, and cultural appropriation relate to authenticity, The ethics of art forgery: from criminality to esteem for fooling experts, The aesthetic worth of a "perfect fake." Book jacket.
Brutalism Reinvented by
From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment-- and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism -- simplicity, functionality, and rawness -- reimagining them for today's standards and tastes. Drawing from the radical approach of the controversial architectural movement, today's Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism's new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture's legacy, this book is an exciting exploration of how today's most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier's original vision.
Rethinking global modernism : architectural historiography and the postcolonial by 
Designing Reform by
Investigating the rich architecture of post-Mao China and its broad cultural impact In the years following China's Cultural Revolution, architecture played an active role in the country's reintegration into the global economy and capitalist world. Looking at the ways in which political and social reform transformed Chinese architecture and how, in turn, architecture gave structure to the reforms, Cole Roskam underlines architecture's unique ability to shape space as well as behavior. Roskam traces how foreign influences like postmodernism began to permeate Chinese architectural discourse in the 1970s and 1980s and how figures such as Kevin Lynch, I. M. Pei, and John Portman became key forces in the introduction of Western educational ideologies and new modes of production. Offering important insights into architecture's relationship to the politics, economics, and diplomacy of post-Mao China, this unprecedented interdisciplinary study examines architecture's multivalent status as an art, science, and physical manifestation of cultural identity.
Antiquity in Gotham by
The first detailed study of "Neo-Antique" architecture applies an archaeological lens to the study of New York City's structures Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences--intellectually, conceptually, and chronologically--among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials--such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines--to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances--whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.
Green Obsession by
Green Obsession traces the long path that architect Stefano Boeri and his studio - Stefano Boeri Architetti - have followed in the last fifteen years of practice, aiming at the redefinition of the relationship between city and nature. The book follows a discursive thread, alternating dialogues and scientific essays by some of the main protagonists who have contributed to widening the perspective on this subject, helping to raise awareness while protecting the world and its biodiversity. Cities have contributed for centuries to the promotion of some of humanity's greatest ideas, we must now urgently include them as among the principal players in the environmental debate and at the forefront of any policy tackling and countering - possibly reversing - climate change. Nevertheless, even today one of the most significant technologies capable of absorbing CO2 and restoring our environment is photosynthesis. Planting trees, in addition to protecting existing natural areas and biodiversity, together with de-carbonization, renewable energies, digitalization, smart mobility and the circular economy could be the set of strategies necessary to tackle climate change. Today the effects of the Anthropocene age are ever more visible, changing our environment and affecting every species that lives within it. Green Obsession offers a path to be taken, a hard but still necessary paradigm shift - even for architecture and urbanism - that aims to give a voice to this much needed ecological transition. This book aims to unveil the processes and the complexity involved in the search for a new kind of urbanism, while raising questions and opening old wounds related to the relationship between the human species and Nature and finally putting these fragments together to create a portrait of our era. We need to conceive cities as new green catalysts. Now more than ever, it is essential to act together as separate individuals and professionals, joining the cause as members of the global community with a shared environmental strategy. We all have to open the era of a new alliance between Nature and City. With contributions by: Enrico Alleva, Emanuele Coccia, Fredi Devas, Laura Gatti, Jane Goodall, Paul Hawken, Cecil Konijnendijk, Davi Kopenawa Yanomami, Pier Mannuccio Mannucci, David Miller, Harini Nagendra, Thomas B. Randrup, Giuseppe Sala, Mitchell Silver, Giorgio Vacchiano, Li Xiangning
Contemporary Japanese Architecture
The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize. Since Osaka World Expo '70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world's cultural map, establishing a bridge between East and West. In the wake of Ando's mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games, originally planned for 2020), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment. Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan's very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual presence of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima's Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America. This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters-from Tadao Ando's Shanghai Poly Theater, Shigeru Ban's concert hall La Seine Musical, SANAA'S Grace Farms, Fumihiko Maki's 4 World Trade Center, to Takashi Suo's much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country's building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.
¡Printing the Revolution! by
A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century The 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano--a formerly derogatory term--became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano. Lavishly illustrated and featuring three double gatefolds, ¡Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art. Exhibition Schedule Smithsonian American Art Museum, Washington, DC May 14-August 8, 2021 Published in association with the Smithsonian American Art Museum, Washington, DC
The Structure of the Ordinary by
The influential Dutch architect's long-awaited manifesto on the everyday environment as the first and best ground for establishing the significance and coherence of architecture.According to N. J. Habraken, intimate and unceasing interaction between people and the forms they inhabit uniquely defines built environment. The Structure of the Ordinary, the culmination of decades of environmental observation and design research, is a recognition and analysis of everyday environment as the wellspring of urban design and formal architecture. The author's central argument is that built environment is universally organized by the Orders of Form, Place, and Understanding. These three fundamental, interwoven principles correspond roughly to physical, biological, and social domains. Historically, "ordinary" environment was the background against which architects built the "extraordinary." Drawing upon extensive examples from archaeological and contemporary sites worldwide, the author illustrates profound recent shifts in the structure of everyday environment. One effect of these transformations, Habraken argues, has been the loss of implicit common understanding that previously enabled architects to formally enhance and innovate while still maintaining environmental coherence. Consequently, architects must now undertake a study of the ordinary as the fertile common ground in which form- and place-making are rooted. In focusing on built environment as an autonomous entity distinct from the societies and natural environments that jointly create it, this book lays the foundation for a new dialogue on methodology and pedagogy, in support of a more informed approach to professional intervention.
Formulations by
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture's encounters with a range of calculational systems--techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated "biographies of method"--episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes--"theorems made flesh"--into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
The Architect's Guide to Small Firm Management by
The definitive guide to management success for sole practitioners and leaders of small design firms Owning and operating a small architectural design firm can be challenging, with tight project deadlines, on-the-fly meetings, rush proposals, and fluctuating workloads as part of the firm's day-to-day activities. To help small firm owners cope with the chaos and prepare for the unexpected, here is The Architect's Guide to Small Firm Management, a no-nonsense guide to repurposing daily demands into workable, goal-directed solutions. Crucial topics such as self-aware leadership, people management, technology, financial health, scenario planning, sustainable practice, and future trends are examined using real-life case studies and business model paradigms. This definitive text explores the whole system experience of a small firm practice to deliver organizational strategies proven to keep a firm's creative mission on a steady, productive path. The Architect's Guide to Small Firm Management addresses how small firm owners can: Deal effectively with unexpected circumstances and shifting work requirements Meet the demands of the marketplace while creating a satisfying workplace Set and achieve goals in an environment of constant change This book is a must-have for those facing the often harsh reality of managing small design firms in a difficult and changing economy. Entrepreneurial architects and designers will discover how to define their own personal and professional meanings of success, as well as how to refocus their business approach to replace long, unrewarding hours with manageable, satisfying ones.
BIG. Formgiving. an Architectural Future History by
Formgiving. An Architectural Future History, the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. The Danish word for "design" is "formgivning," which literally means to give form to that which has not yet taken shape. In other words, to give form to the future. Using our power to give form, rather than allowing the future to take shape, is more important now than ever, as humankind''s impact on the planet continues to increase and pose ever greater challenges to all life forms. Architecture plays a special role by proposing spaces for our lives that are fragments of the future in the making. William Gibson''s words embody architecture''s role perfectly: "The future is already here-it''s just not evenly distributed." With Formgiving, BIG presents the third part of its TASCHEN trilogy, which began with Yes is More, one of the most successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution-"Making," "Sensing," "Sustaining," "Thinking," "Healing," and "Moving"-the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements-the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind-are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War I successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution-"Making," "Sensing," "Sustaining," "Thinking," "Healing," and "Moving"-the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements-the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind-are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen''s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world. Bjarke Ingels: "To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form." Formgiving is also a companion volume to the exhibition of the same name, which was conceived at the Danish Architecture Center in Copenhagen and will travel to other venues worldwide. More than 65 projects document BIG''s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG''s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow! The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG''s work, a glimpse of Masterplanet-BIG''s ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet. successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution-"Making," "Sensing," "Sustaining," "Thinking," "Healing," and "Moving"-the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements-the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind-are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen''s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world. Bjarke Ingels: "To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form." Formgiving is also a companion volume to the exhibition of the same name, which was conceived at the Danish Architecture Center in Copenhagen and will travel to other venues worldwide. More than 65 projects document BIG''s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG''s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow! The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG''s work, a glimpse of Masterplanet-BIG''s ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet.ative museum, and the ski slope-infused power plant celebrating Copenhagen''s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world. Bjarke Ingels: "To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form." Formgiving is also a companion volume to the exhibition of the same name, which was conceived at the Danish Architecture Center in Copenhagen and will travel to other venues worldwide. More than 65 projects document BIG''s global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG''s intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow! The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortshøj, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG''s work, a glimpse of Masterplanet-BIG''s ongoing work on a collective,
World Architecture by
Richard Ingersoll's World Architecture: A Cross-Cultural History, Second Edition, provides the most comprehensive and contemporary survey in the field. Each chapter within the text's chronological organization focuses on three unique architectural cultures, giving instructors the flexibility to choose which traditions are the most relevant to their courses. The text also provides students with numerous pedagogical tools, including timelines, comparative maps, a glossary, and text boxes devoted to social factors and specific issues in technology and philosophy. The result is a compendious method for understanding and appreciating the history, cultural significance, beauty, and diversity of architecture from around the world.New to This Edition: An enhanced visual program features 235 new images and photographs, including interior shots and improved maps and building plans An extended box program explores new contextual topics like gender and folklore in addition to the prior edition's coverage of religion, philosophy, culture, and technology An expanded open-access Companion Website including an array of popular learning resources like chapter summaries, self exams, and Google Maps links to key structures A list of UNESCO world heritage sites referenced in the book
The Devil in the Gallery by
"It's an in-depth look at varied time periods and artists, which readers interested in gossip, drama, or art history will enjoy." Library Journal, Starred ReviewScandal, shock and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack, and therefore drawing the interest of a public who might not be drawn to the objects alone. There would be no Sistine Chapel by Michelangelo had rival Raphael not tricked the pope into assigning him the commission, certain that Michelangelo, who had never before worked with frescoes, would botch the job and become a laughing stock. Scandal and shock have proven to be powerful weapons when harnessed and wielded willfully and well. That scandal is good for exposure has been so obviously the case that many artists have courted it intentionally, which we will define as shock: intentionally overturning expectations of the majority in a way that traditionalist find dismaying or upsetting, but which a certain minority avant-garde find exciting. From Damien Hirst presenting the public with a shark embalmed in formaldehyde and entombed in a glass case to Marcel Duchamp trying to convince the art community that a urinal is a great sculpture shock has been a key promotional tool.The Devil in the Gallery is a guided tour of the history of art through it scandals, rivalries, and shocking acts, each of which resulted in a positive step forward for art in general and, in most cases, for the careers of the artists in question. In addition to telling dozens of stories, lavishly illustrated in full color, of such dramatic moments and arguing how they not only affected the history of art but affected it for the better, we will also examine the proactive role of the recipients of these intentionally dramatic actions: The art historians, the critics and even you, the general public. The Devil likes to lurk in dark corners of the art world, morphing into many forms. Let us shed light upon him.
Brutal Aesthetics by
How artists created an aesthetic of "positive barbarism" in a world devastated by World War II, the Holocaust, and the atomic bomb In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a "brutal aesthetics" adequate to the destruction around them. With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates a manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux? How does Dubuffet imagine an art brut, an art unscathed by culture? Why does Jorn populate his paintings with "human animals"? What does Paolozzi see in his monstrous figures assembled from industrial debris? And why does Oldenburg remake everyday products from urban scrap? A study of artistic practices made desperate by a world in crisis, Brutal Aesthetics is an intriguing account of a difficult era in twentieth-century culture, one that has important implications for our own. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Bauhaus by
The aesthetic of our contemporary environment, including everything from housing developments to furniture and websites, is partly the result of a school of art and design founded in Germany in 1919, the Bauhaus. While in operation for only fourteen years before being shut down by the Nazis in 1933, the school left an indelible mark on design as well as the practice of art education throughout the world. Placing the Bauhaus into its socio-historic context, Frank Whitford traces the ideas behind the school's conception and describes its teaching methods. He examines the activities of the teachers, who included artists as eminent as Paul Klee, Josef Albers and Wassily Kandinsky, and the daily lives of the students. This remains the most accessible and highly illustrated introduction to perhaps the most significant design movement of the last hundred years.
Portals by
Portals: Pedagogy, Practice, and Architecture's Future Imaginary considers the COVID-19 pandemic and the remote pedagogy it occasioned globally in schools of architecture, as a critical threshold to future architectural pedagogy, practice, and spatial imaginaries. Given that the conceit of a "return to normal" is neither desirable nor possible, this book speculates upon possible futures for the discipline of architecture, through the lens of the Thesis and Directed Research projects of the RISD Architecture class of 2020. This book documents an interregnum, a pause, a moment of self-reflection in which architects, imperiled by the COVID-19 pandemic and all of the forms of inequity that this global crisis surfaced, confronted remote architectural pedagogy and practice as a critical threshold for the future imaginary of the discipline. The renowned group of architects, educators, theorists, critics, and curators assembled in this volume provide critical insights into the future of architectural pedagogy, utilizing the thesis and design research projects of the RISD Architecture class of 2020 as exemplars of the transformations currently taking place in the field. This volume considers the forms that architectural activism and advocacy take in a moment when architects are critically reexamining the conventions of their practice and the question of which constituencies they serve. With Contributions by RISD B.Arch & M.Arch students with Iñaki Alday, Daniel A. Barber, Hansy Better Barraza, Sean Canty, Kevin Crouse, Peggy Deamer, David Gersten, Mario Gooden, Timothy Hyde, Daniel Ibañez, Kent Kleinman, Amy Catania Kulper, Carl Lostritto, Ryan McCaffrey, Ana Miljački, Kiel Moe, Nicholas de Monchaux, Ijlal Muzaffar, Ben Pell, Rachely Rotem, Jacqueline Shaw, Lola Sheppard, Georgeen Theodore, Mason White, Dr. Mabel O. Wilson, Jason Young
Philosophical Difference and Advanced Computation in Architectural Theory by
"This book presents a new take on the evolution of digital design theories in architecture from modernity to today, as they have been inspired both by contemporary philosophy and the emergence and access to advanced computation. It focuses on how concepts of difference in philosophy transformed architectural design theory and takes on even more significance with the introduction and ubiquitous use of computers within the discipline, changing the architectural design paradigm forever. Beginning with a presentation of American Pragmatisms push towards process, the book continues on to Husserls influence on the modern movement, mid-century phenomenology, post-structuralist Derridean exchanges with architects, the Deleuzian influence on the smoothing of form, and finally contemporary architectural references to speculative realism. Analyzing the arc of design theory as influenced by philosophical and computational logics, this book presents the transformation to contemporary design approaches that includes more biology, more data and more information, moving from less is more to From Less to More! Philosophical Difference and Advanced Computation in Architectural Theory is an influential read for students and academics of architectural theory, computational design and related areas"--
Architecture and Resilience by
Resilience will be a defining quality of the twenty-first century. As we witness the increasingly turbulent effects of climate change, the multiple challenges of resource depletion and wage stagnation, we know that our current ways of living are not resilient. Our urban infrastructures, our buildings, our economies, our ways of managing and governing are still too tightly bound to models of unrestrained free-market growth, individualism and consumerism. Research has shown that the crises arising from climate change will become increasingly frequent and increasingly severe. It is also known that the effects of climate change are not evenly distributed across places and people, and neither are the resources needed to meet these challenges. We will need specific responses in place that engage with, and emerge from, citizens ourselves. This volume takes resilience as a transformative concept to ask where and what architecture might contribute. Bringing together cross-disciplinary perspectives from architecture, urban design, art, geography, building science and psychoanalysis, it aims to open up multiple perspectives of research, spatial strategies and projects that are testing how we can build local resilience in preparation for major societal challenges, defining the position of architecture in urban resilience discourse.
An Alphabet of Architectural Models by
For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This beautifully designed book explores the uniquely fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet - from A for 'Ancient' (on the world's oldest models) to Z for 'Zoom' (on the photography of models). Unbound by the practicalities of life-size construction, models allow architects the flexibility and freedom to think in three dimensions. Whether made for purely speculative exercises or to solve a specific problem, they are aids to the imagination. Equally, they can be used as detailed and accurate representations of particular places (either built or as yet unrealized) in order to convey information to patrons or the public. Models can be made in a wide variety of media, from paper, cork and wood to such ephemeral materials as sugar and jelly. Most recently, the advent of digital technologies has transformed possibilities for prototyping, which in turn has greatly influenced architectural design. Models also have a vibrant life beyond the design process. Souvenir models collected on the Grand Tour, 1:1 scale plaster models of architectural fragments displayed in museums, and architectural toys that have delighted children and adults alike are just some of their manifestations outside the architect's office. Written by architects, model-makers, curators, conservators and scholars, the texts in this absorbing Alphabet explore such varied but fundamental issues as modelling materials and techniques, scale, and the role of the model in the design process. They also go beyond conventional accounts to look at models under the X-ray machine, their use in film, and edible models. The result is a wide-ranging, insightful and original account of the multiple lives of the architectural model.
Toledo Múltiple by 
Let's Entertain by
Let's Entertain: Life's Guilty Pleasures examines the 'spectacularization' of everyday experience through the twin lenses of contemporary art practice and cultural criticism, and challenges us not to simply renounce entertainment, but to understand how its strategies can be used to tell a different kind of story. The story that unfolds is sweet, amusing, and, like a fairy tale, often cruel.
Soviet Modernism, Brutalism, Post-Modernism by
This new publication is a comprehensive study of Soviet Modernism in Ukraine. The authors and architects, Oleksiy Bykov and Ievgeniia Gubkina, have studied modernism in architecture in depth over many years. In this 250-page book, they explore the uniqueness of modernist objects in all its forms - from interior design to city plans - across the entire territory of Ukraine and over three full decades. Furthermore, this title explores the differences between the main concepts in the debate on late Soviet architecture, in which the term " brutalism" has, until now, been understood as a western phenomenon.
Spatial Revolution by
Spatial Revolution is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929. Among the revelations provided by Christina E. Crawford is the degree to which outside experts participated in the construction of the Soviet industrial complex, while facing difficult topographies, near-impossible deadlines, and inchoate theories of socialist space-making. Crawford describes how early Soviet architecture and planning activities were kinetic and negotiated and how questions about the proper distribution of people and industry under socialism were posed and refined through the construction of brick and mortar, steel and concrete projects, living laboratories that tested alternative spatial models. As a result, Spatial Revolution answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states--and capitalist welfare states--for decades to follow. Thanks to generous funding from Emory University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Commercial Design Using Autodesk Revit 2021 by
Designed for the architectural student using Revit 2021, this book privides a well-rounded knowledge of tools and techniques for use in both school and industry. It takes project based approach to learning Revit's architectural tools in which to develop a three story office building. Each book also includes access to nearly 100 video tutorials designed to further help master Autodesk Revit. General building codes and industry standard conventions are covered in a way that is applicable to the current exercise. The first two chapters are intended to get you familiar with the user interface and many of the common menus and tools of Revit 2021. A small office is created in chapter two to show you just how easy it is to get started using Autodesk Revit. By the end of chapter two you will be excited and prepared to take on a much larger project. Throughout the rest of the book you develop a three story office building. The drawings start with the floor plans and develop all the way to photo-realistic renderings like the one on the cover of this book. In these chapters many of the architectural tools and features of Revit 2021 are covered in greater detail. About the Videos Access to nearly 100 videos, almost five hours of content, are also included with your purchase of this book. These videos break down each topic into several short videos so that you can easily navigate to a specific aspect of a tool or feature in Autodesk Revit. This makes the videos both a powerful learning tool and convenient video reference. The videos make it easy to see the menu selections and will make learning Revit straightforward and simple. It's like having the author by your side showing you exactly how to use all the major tools in Autodesk Revit.
Churches in the Irish Landscape AD 400-1100 by
Between the fifth century and the ninth, several thousand churches were founded in Ireland, a greater density than most other regions of Europe. This period saw fundamental changes in settlement patterns, agriculture, social organisation, rituals and beliefs, and churches are an important part of that story. The premise of this book is that landscape archaeology is one of the most fruitful ways to study them. By looking at where they were placed in relation to pagan ritual and royal sites, burial grounds, and settlements, and how they fared over the centuries, we can map the shifting strategies of kings, clerics and ordinary people. The result is a fascinating new perspective on this formative period, with wider implications for the study of social power and religious change elsewhere in Europe. The earliest churches, founded at a time of religious diversity (400-550), were often within royal landscapes, showing that some sections of the elite chose to make space for the new religion. These often lost out to new monasteries positioned at a remove from core royal land, making it possible to grant them the great estates on which their wealth was based (550-800). Now, however, founding churches was no longer a prerogative of kings for we see numerous lesser churches outside these estates. In this way middle-ranking people helped transform the landscape and shape religious cultures in which rituals and beliefs of local origin co-existed alongside Christianity. Finally, in the Viking Age (800-1100), some lesser churches were abandoned while community churches began to exert more of a gravitational pull, foreshadowing the later medieval parish system.
Hannah Wilke by
Andrew Scharlatt, Lauren Rosenblum, Marsie Scharlatt
A Palace in Sicily by
- A photographic exploration of a Baroque masterpiece, now returned to its former glory- The stunning restoration of the beautiful Di Lorenzo del Castelluccio palace in Sicily- Wonderfully evocative and full of beautiful imagery. A treat for lovers of Lampedusa's The Leopard- An inspiring insight into palatial interiors and gardens- Palace location of the film 'Cyrano', directed by Joe Wright, and starring Peter DinklageWith its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace. Marquis de Castelluccio was one of the last servals or "leopards" of Sicily - wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art. Today, lush green palm trees welcome you to the palace's imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album's worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.
Science Fiction and Political Philosophy by
Sometimes called the "literature of ideas," science fiction is a natural medium for normative political philosophy. Science fiction's focus on technology, space and time travel, non-human lifeforms, and parallel universes cannot help but invoke the perennial questions of political life, including the nature of a just social order and who should rule; freedom, free will, and autonomy; and the advantages and disadvantages of progress. Rather than offering a reading of a work inspired by a particular thinker or tradition, each chapter presents a careful reading of a classic or contemporary work in the genre (a novel, short story, film, or television series) to illustrate and explore the themes and concepts of political philosophy.
Fundamentals of Occupational Safety and Health by
The seventh edition of this popular handbook provides a thorough and up-to-date overview of the occupational safety and health field and the issues safety professionals face today, and does so in an accessible and engaging manner. An excellent introductory reference for both students and professionals, Fundamentals of Occupational Safety and Health provides practical information on technology, management, and regulatory compliance issues, covering crucial topics like organizing, staffing, directing, and evaluating occupational safety programs and procedures. All major occupational safety and health topics are addressed in this comprehensive volume, including safety-related laws and regulations, hazardous materials, workplace violence, the threat of terrorism, and OSHA's recordkeeping standard. This new edition has been revised and updated throughout to include new information on a variety of topics. The book includes a handy directory of resources such as safety and health associations, First Responder organizations, and state and federal agencies. The latest edition of this go-to reference work reflects the legal and cultural climate of safety and health in an easily comprehensible and well-organized format, giving readers a wealth of occupational safety and health information right at their fingertips.
Automation and Robotics in the Architecture, Engineering, and Construction Industry by
Automation and Robotics in the Architecture, Engineering, and Construction Industry provides distinct and unified insight into current and future construction robotics, offering readers a comprehensive perspective for constructing a road map and illuminating improvements for a successful transition towards construction robotization. The book covers the fundamentals and applications of robotics, autonomous vehicles, and human-perceptive machines at construction sites. Through theoretical and experimental analyses, it examines the potential of robotics and automated systems for current and future fieldwork operations and identifies the factors that determine their implementation pace, adoption scale, and ubiquity throughout the industry. The book evaluates the technical, societal, and economic aspects of adopting robots in construction, both as standalone and collaborative systems, which in return can afford the opportunity to investigate these AI-enabled machines more systematically.
Claesson Koivisto Rune Architects by
The comprehensive monograph of Claesson Koivisto Rune sums up 25 successful years of creativity of the internationally acknowledged Swedish architects. The book introduces more than 50 construction projects, from the early works up to the present: buildings constructed, as well as trendsetting projects that were not realized. The book features texts by Kieran Long and Zoë Ryan as well as photos by Åke E:son Lindman taken especially for the volume.
Visual Communication for Architects and Designers by
"Visual Communication for Architects and Designers teaches you the art of designing a concise, clear, compelling and effective visual and verbal presentation. Margaret Fletcher has developed a reference manual of best practices that gives you the necessary tools to present your work in the best way possible. It includes an impressive 750 presentation examples by over 180 designers from 24 countries in North America, South America, Europe, the Middle East, Asia, Oceania and Africa. This book offers actionable advice to solve a variety of complex presentation challenges. You will learn how to:
Rembrandt: Biography of a Rebel by
In 2019, on the occasion of the 350th anniversary of the death of Rembrandt (1606-69), Amsterdam's Rijksmuseum is honoring the artist with an unprecedented exhibition, appropriately titled All the Rembrandts. The "Year of Rembrandt" also brings us Rembrandt: Biography of a Rebel, an authoritative biography of the Dutch Master written by acclaimed Rembrandt scholar Jonathan Bikker and designed by Irma Boom. The Rijksmuseum's collection of Rembrandt's paintings offers a coherent overview of the artist's life--from his early Self-Portrait as a Young Man (c. 1628) to his late Self-Portrait as the Apostle Paul (1661)--and Rembrandt: Biography of a Rebel fills in the context around these and other works, painting an unparalleled picture of Rembrandt as a human being, as an artist, as a storyteller and as an innovator. Jonathan Bikker (born 1965) has worked at the Rijksmuseum since 2001 and has been Curator of Research since 2006. He studied Art History at McMaster University and Queen's University in Canada. In the Rijksmuseum's Fine Arts department, he primarily works as writer and editor-in-chief of a series of catalogs of 17th-century North Dutch paintings. He has also contributed to a number of Rijksmuseum exhibition catalogs.
Composite Architecture by
Quang Truong, architect, assistant professor at Portland State University, USA
The New Farm by
Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and heritage.
The Art of Illusion by
Discover how artists have been tricking the human eye for centuries in this gorgeous and wide-ranging exploration of the art of illusion. This spellbinding look at the history and development of illusionistic art reveals wide-ranging techniques that have piqued the public's fascination with this medium. Beautifully reproduced, the images featured in the book includes centuries-old work such as the scenery at the Teatro Olimpico in Vicenza, Italy, and the ceiling frescos at the Würzburg Residence in Germany, that showcase processes such as trompe l'oeil and anamorphosis. It also features work from the 20th and 21st centuries, including René Magritte's classic Surrealist works; M.C. Escher's magical and mathematically precise drawings; the seemingly undulating paintings of Bridget Riley; the manipulated photography of Andreas Gursky; Duane Hanson's eerily lifelike sculptures; JR's larger-than-life portrait photographs; and Georges Rousse's mind-bending constructions. The book also has examples of amazing street art including subway graffiti and a sidewalk painting that makes pedestrians think twice. This extraordinary and informative guide to all kinds of artistic trickery will satisfy scholars as well as everyday fans.
Hellenistic Architecture and Human Action by
This book examines the mutual influence of architecture and human action during a key period of history: the Hellenistic age. During this era, the profound transformations in the Mediterranean's archaeological and historical record are detectable, pointing to a conscious intertwining of the physical (landscape, architecture, bodies) and social (practice) components of built space. Compiling the outcomes of a conference held in Kiel in 2018, the volume assembles contributions focusing on Hellenistic architecture as an action context, perceived in movement through built space. Sanctuaries, as a particularly coherent kind of built space featuring well-defined sets of architecture combined with ritual action, were chosen as the general frame for the analyses. The reciprocity between this sacred architecture and (religious) human action is traced through several layers starting from three specific case studies (Messene, Samothrace, Pella), extending to architectural modules, and finally encompassing overarching principles of design and use. As two additional case studies on caves and agorai show, the far-reaching entanglement of architecture and human action was neither restricted to highly architecturalised nor sacred spaces, but is characteristic of Hellenistic built space in general.
Bi by
Nature doesn't necessarily mean creativity, yet its diversity and beauty are stunning. We call the mechanism behind this unintended creativity of nature "BI" - Biological Intelligence. The design and construction of a building is very much like the creation of life. The intention of Biological intelligence (BI) is to understand how life is born, wither, born again, and to follow the principles of evolution so architecture can also enter a sustainable cycle of design, construct, operate, and disassemble and regenerated according to its new condition. The three categories: "Origin," "Form," and "Interface" loosely resembles lives' condition of "Habitat" "Physical Form" and "Interaction with outside." Each category contains three modules; all the nine modules contain elements that architects have been familiar with for thousands of years. They exist as nine toolboxes that architects need and use during the design process - the creation of architecture. "BI" is a bigger box that holds the nine boxes together. The same way as nature never intends to create anything, most of architecture's great inventions aren't created intentionally. Rather than boosting design creativity, the mechanism we introduce in this book proves to accompany architects strolling through the maze of architecture improving the creation of architecture similarly to how nature creates itself.
Architectural Excellence in Islamic Societies by
This book discusses architectural excellence in Islamic societies drawing on textual and visual materials, from the Aga Khan Documentation Centre at MIT, developed over more than three decades. At the core of the discussion are the efforts, processes, and outcomes of the Aga Khan Award for Architecture (AKAA). The AKAA recognises excellence in architectural and urban interventions within cities and settlements in the Islamic world which are continuously challenged by dramatic changes in economies, societies, political systems, decision making, and environmental requirements. Architectural Excellence in Islamic Societies responds to the recurring question about the need for architectural awards, arguing that they are critical to validating the achievements of professional architects while making their contributions more widely acknowledged by the public. Through analysis and critique of over sixty awarded and shortlisted projects from over thirty five countries, this book provides an expansive look at the history of the AKAA through a series of narratives on the enduring values of architecture; architectural and urban conservation; built environment sustainability; and architectural pluralism and multiple modernities. 　 Architectural Excellence in Islamic Societies will appeal to professionals and academics, researchers and upper-level students in architectural history and theory and built environment related fields.
The Architect's Handbook of Professional Practice by
The definitive guide to architectural practice Business, legal, and technical trends in architecture are constantly changing. The Architect's Handbook of Professional Practice has offered firms the latest guidance on those trends since 1920. The Fifteenth Edition of this indispensable guide features nearly two-thirds new content and covers all aspects of contemporary practice, including updated material on: Small-firm practice, use of technologies such as BIM, and project delivery methods, such as IPD and architect-led design-build Career development and licensure for emerging professionals and state-mandated continuing education for established architects Business management topics, such as organizational development, marketing, finance, and human resources Research as an integrated aspect of architectural practice, featuring such topics as evidence-based design and research in a small-firm context The Fifteenth Edition of The Architect's Handbook of Professional Practice includes access to a website that contains samples of all AIA Contract Documents (in PDF format for Mac and PC computers). With comprehensive coverage of contemporary practices in architecture, as well as the latest developments and trends in the industry, The Architect's Handbook of Professional Practice continues to be the essential reference for every architect who must meet the challenges of today's marketplace with insight and confidence.
The Architecture Machine by
Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. The book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich (October 14, 2020 to January 10, 2021), for the first time considers - in depth - the development of the digital in architecture. In four chapters, it recounts this intriguing history from its beginnings in the 1950s through to today and presents the computer as a drawing machine, as a design tool, as a medium for telling stories, and as an interactive communication platform. The basic underlying question is simple: Has the computer changed architecture? And if so, by how much?
Dynamic Human Anatomy by
An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.
A Practical Guide to Cartooning by
This instructional guide begins with essential techniques - from the effects of varied pencils on different papers to the subtle differences between pen strokes and patterns. The many styles of sketching are also demonstrated in clear and concise exercises. Having outlined the necessary basic techniques, the book offers a wide variety of exercises to allow the reader to perfect their skills - from lessons in anatomy, facial expression and depicting movement to dressing the character, creating dialogue and using backgrounds. The text explains concepts and methods used by professional cartoonists to help build a scene, develop a narrative, and create a wide range of environments in which the characters can interact. The book also helps to unravel the complexities of digital manipulation, with illustrative screengrabs and explanations of the methods used, step-by-step
Retail Apocalypse by
A compendium of lessons rescued from the bonfire of retail culture. As shopping shifts online and the economic shocks associated with the coronavirus pandemic push bankruptcies to unprecedented levels, retail is facing its own version of the end of days. The arsenal of commercial techniques that retail has developed can no longer function as usual. As a result, the entangled worlds of architecture, fashion, business, and art appear to us in a new light, testifying to a culture that is going extinct. At the same time, retail's techniques of attraction and distraction have become visible in a new way. Stripped of their use-value, they reveal themselves as techniques of pure display. Retail Apocalypse presents a compendium of case studies, interventions, and object lessons rescued from the bonfire of retail culture, ranging from Friedrich Kiesler's display windows to Gae Aulenti's Fiat showrooms; from J. G. Ballard's dystopian fantasies to TELFAR's critical utopias; and from Rem Koolhaas to Herzog & de Meuron.
Floodscapes by
An acutely relevant account of recent solutions to flooding in Europe This important book tells the multifaceted story of humankind's relationship with flooding, a story that is permeated with a history of both worship and fear. Modern water engineering has turned plains and valleys into fully inhabitable environments. At the same time, those environments have become highly vulnerable to climate change. In efforts to prevent future floods, countries are rediscovering adaptation strategies: making room for flooding, redistributing risks and reconsidering the use and legal status of floodplains. Through historical investigations and six contemporary projects implemented in four European countries, Floodscapes illustrates how flood-mitigation measures can be embedded in local space and culture. Merged with landscape development, agriculture, recreation, nature, and even urban growth, river management becomes a design issue, giving landscape architects and urban designers a prominent role in future transitions. This book provides an in-depth look into the most common natural disaster in the US, and the innovative solutions that have arisen.
The North Atlantic Cities by
The North Atlantic Cities by Charles B. Duff, which is available for the first time in the United States, is a book on urban development and urban life masquerading as a book on architecture. It is the story of four hundred years of architecture and urban development in four countries: the Netherlands, Great Britain, Ireland, and the United States, particularly cities like New York, Boston, Washington, D.C., Philadelphia, Baltimore, Savannah, to name a few. The author starts with a kind of building few others have considered--the row house--which could very well be the key to understanding why many of the world's great cities look and function as they do. From the 1600s to today as the author theorizes, this innocuous-seeming housing type is perhaps the antidote to suburban sprawl, urban decay, and the worst catastrophes of global climate change.
How Design Makes Us Think by
From posters to cars, design is everywhere. While we often discuss the aesthetics of design, we don't always dig deeper to unearth the ways design can overtly, and covertly, convince us of a certain way of thinking. How Design Makes Us Think collects hundreds of examples across graphic design, product design, industrial design, and architecture to illustrate how design can inspire, provoke, amuse, anger, or reassure us. Graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. The book delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, advertisers, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.
From There to Here by
This second monograph represents circumstances and projects which have occurred beyond the span of Hansen's original monograph. Through sketches, diagrams, rendering, photographs and narratives, this book portrays the criteria and conceptual thinking that was primary in finding an inclusive architectural solution for a diverse selection of projects. Though, Hansen has always attempted to create a comprehensive matrix of interrelated design criteria on his client's vision, site, context, sustainability, climate, culture and tradition, some issues must be weighted above others. And sometimes, a story must be told that is inexorably tied to the essence of the land or building. These commentaries can even provide deeper meaning than the determinants of the building themselves.
Paul R. Williams by
As part of a larger series on "Master Architects of Southern California: 1920-1940", this book highlights the work of Paul R. Williams, using vintage photographs. Master Architects of Southern California 1920-1940, a twelve-volume series produced by Marc Appleton and Bret Parsons showcases the work of the Golden Era's most important residential architects as originally featured in the earliest issues of The Architectural Digest. Featuring some of the earliest known photographs of the work of legendary architects, the series is devoted to the era when oil titans, film industry moguls, bankers, and successful entrepreneurs who were new to the region hired the most accomplished and talented architects they could find. In the latest volume, Paul R. Williams, the authors, in collaboration with writer Stephen Gee, focus on an architect whose trailblazing career defied the odds. The orphan son of an African-American fruit and vegetable merchant, Williams overcame widespread discrimination in early to mid 20thcentury America to become one of the most significant architects of his time. Working in a variety of styles, his mastery of harmonious proportions and signature undulating lines helped define a golden era in Southern California architecture. The more than 3,000 structures that carry his architectural imprimatur ranged from modest, affordable homes to extravagant mansions for Hollywood's elite, as well as important civic and commercial projects.
Architecture and Naturing Affairs by
In this anthology with contributions about architecture, media, and infrastructure technology, the authors investigate in what multifaceted way architecture and information is in tune with contemporary technology, and in what way we live with them. The book is divided into following parts: BREEDING (medialising matter), BREATHING (transcending language), and INHABITING (making things inhabitable). The compilation of various text contributions creates a lexicon of 'naturing affairs' and is written for readers who look for an inspiring overview of our medialised environments.
Towers in the City by
The book examines the tower as the architectural expression of a long-term commitment to the city. The conclusion is that development must be driven not only by property value and architectural ingenuity but also by respect for collective memory and common humanity. The book argues that these public commitments find architectural expression in a radically different tectonic to that of contemporary patterns of development. The volume presents a series of prompts, provocations, and projects to address the challenge of designing a tower that can be understood as a monolithic whole, even if assembled from discrete parts.
Rural Studio at Twenty by
For two decades the students of Auburn University's Rural Studio have designed and built remarkable houses and community buildings for impoverished residents of Alabama's Hale County, one of the poorest in the nation. Our critically acclaimed bestsellerRural Studio (2002) showed how salvaged lumber, bricks, discarded tires, hay-and-waste cardboard bales, concrete rubble, colored bottles, carpet tiles, and old license plates were transformed into inexpensive buildings that were also models of sustainable architecture.Rural Studio at Twenty chronicles the evolution of the legendary program, founded by (MacArthur Genius Grant and AIA Gold Medal winner) Samuel Mockbee, and showcases an impressive portfolio of projects. Part monograph, part handbook, and part manifesto,Rural Studio at Twenty is a must-read for any architect, community advocate, professor, or student as a model for engaging place through design.
ArtCurious by
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Race and Modern Architecture by
Although race--a concept of human difference that establishes hierarchies of power and domination--has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality--from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants--Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Raising the Roof by
This timely book celebrates the inspirational achievements of women architects in every corner of the world. Historically, women architects were disappointingly absent in the news and at awards ceremonies, but now they are spearheading some of the most exciting and important projects in every corner of the globe. These profiles of fifty female architects bring to light some of those projects and highlight pioneering women architects. Each architect is introduced in double-page spreads that include a brief biography, an overview of her philosophy and vision, and stunning photographs of her most significant works. Interviews with several of the architects provide a global perspective on how women are changing the face of the world--including feminist icon, philanthropist, and Nigerian "starchitect" Olajumoke Adenowo; Tatiana Bilbao, who is leading the way in sustainable Mexican architecture; Rossana Hu, who is fighting to preserve Chinese village culture in her rapidly urbanizing country; and Elizabeth Diller, who created the High Line, one of New York City's most beloved public spaces, and helped redesign the city's Museum of Modern Art. This volume offers indisputable and inspiring evidence that the architectural profession is no longer just a man's game.
Sandra Calvo: Architecture Without Architects by
An exquisite silk-screen monograph on Sandra Calvo's ephemeral sculpture deconstructing concepts of stability in architecture This publication documents Mexico City-based artist Sandra Calvo's (born 1977) participatory project which culminates in a model of a house, constructed by a community in Colombia using black and red thread--echoed in the book's threaded exposed binding.
Rem Koolhaas, OMA + AMO / Spaces for Prada by
Source Books in Architecture No.14: Rem Koolhaas / OMA + AMO Spaces for Prada is the most recent volume in the Source Books in Architecture series. Among the topics discussed in the book are the long-standing relationship with Prada and how the early objectives in that relationship have both maintained and shifted. An underlying theme to the conversations held with students and faculty of the Knowlton School community is the topic of architect-client relationships, their history, their problems, and how they have contributed to the discipline over time. Explicitly, a focus of the conversation is a number of projects that OMA has developed or completed with Prada, a large number of which are installation-scale environments that manifest in the form of runway shows and exhibitions. The challenge of such projects is to retain a commitment to the political and cultural agenda that OMA embeds in the larger and permanent buildings. Given the ephemerality and role of these environments as literal backgrounds to highlighted events, the projects are ideal scenarios in which to develop an architecture that lacks the permanence of buildings while still carrying potency and contributing to larger cultural discussions involving, for example, event, place, concept, product, staging, the crowd, lighting, and materiality. Source Books in Architecture No.14 contains project documentation from the OMA and Prada archives, transcripts from Koolhaas' conversations with students at the Knowlton School at The Ohio State University, and commentary and critique from architects, critics, and theorists.
Barclay and Crousse by
A look at a leading Peruvian architectural firm through 12 exemplary projects From their Mies Crown Hall Americas Prize-winning design for the University of Piura educational facilities to their design for the Place of Remembrance in Lima, Barclay & Crousse's work binds together the most current advances in technology with designs that center on the quality of life of its dwellers. Their works show how design specific to the conditions of developing countries can inform and be vital to global architectural conversation. Founded in Paris by Sandra Barclay and Jean Pierre Crousse in 1994, the firm relocated to Lima, Peru, in 2006, pursuing their projects in Europe through Atelier Nord-Sud. This book presents 12 buildings illustrated through sketches, plans and over 120 photographs by Chilean photographer Cristóbal Palma. The volume is a work unto itself that demonstrates the architects' mastery of space.
Hiroshi Sugimoto and Tomoyuki Sakakida: Old Is New by
The architecture of Hiroshi Sugimoto and Tomoyuki Sakakida's New Material Research Laboratory revives ancient construction materials for the present The architectural practice of Hiroshi Sugimoto and Tomoyuki Sakakida is informed by a simple paradox: "the oldest things are the newest." In 2008, Sugimoto and Sakakida founded New Material Research Laboratory with an aim to develop "new" materials for construction based upon much older materials and techniques. The NMRL reinvigorates material from ancient times and the Middle Ages by using it in the context of a distinctly contemporary design sensibility and thus creating a physical connection between the past and the present. This beautiful hardcover volume delves into the art and architecture as well as the archaeological philosophy of the Laboratory. Each project is characterized by the materials used in its construction and is illustrated with rich full-color photography. Sugimoto and Sakakida are the principal authors of the accompanying text, extrapolating on their design ethos and its roots in Japanese aesthetic tradition; supplemental reading provides further historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the Laboratory's research. An accomplished photographer in addition to his architectural work, Hiroshi Sugimoto (born 1948) is perhaps best known for his consistent experimentation with the limits of photographic representation, such as in his long-exposure series Theatres and Seascapes. Architect and furniture designer Tomoyuki Sakakida (born 1976) has been the director of NMRL since 2013. He currently teaches at Kyoto University of Art and Design.
Designing Paradise Juan Montoya by
Interior-design legend Juan Montoya takes us on a tropical adventure with his recent breathtaking seaside residential projects. No typology lends itself more naturally to Juan Montoya's creative impulses than tropical residences. There is su
150 New Best of the Best House Ideas by
Discover the best of the best in house design with this comprehensive guide in the highly successful 150 Best series, featuring hundreds of inspiring color and black-and-white photographs. 150 New Best of the Best House Ideas is a stunning visual feast that explores the latest in innovative home construction, decoration, and design. This outstanding volume showcases an extensive collection of single-family houses from all over the world, created by distinguished international architects and designers who have worked to achieve practical and functional solutions adapted to the specific needs and particular tastes of their clients. Each of the 150 houses profiled demonstrate the newest trends and various influences on home design, from cottage-type houses to minimalist geometric constructions. Using technological advances in construction and material use, these homes are energy-efficient, have a low environmental impact, and are stunningly attractive, appealing to all tastes and styles. This essential reference encompasses the diversity of current trends in house design and is an inspirational creative resource for builders, architects, designers, stylists, interior decorators, and students.
The Future of Modular Architecture by
"The Future of Modular Architecture presents an unprecedented proposal for mass-customized mid- and high-rise modular housing that can be manufactured and distributed on a global scale. Advocating for the adoption of open-source design based on a new modular standard, the book shows how the construction industry and architectural practice may soon be radically reshaped. By leveraging the existing intermodal freight transport system, global supply chains can be harnessed to realize the long-held promise that housing will be a well-designed and affordable industrial product. We are on the cusp of a transformative change in the way we design and build our cities. Author David Wallance argues that modular architecture is profoundly intertwined with globalization, equitable urbanism, and sustainable development. His book addresses these timely issues through a specific approach grounded in fundamental concepts. Going beyond the individual modular building, Wallance forecasts the emergence of a new type of design, manufacturing, and construction enterprise. Written in an approachable style with illustrated examples, the book is a must read for professionals in architecture and design, city planning, construction, real estate, as well as the general reader with an interest in these topics"--
Hector Guimard by
A beautifully illustrated retrospective of Art Nouveau architect and designer Hector Guimard, positioning him at the forefront of the modernist movement The aesthetic of architect Hector Guimard (1867-1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time. With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard's full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist.
Writing by Design
Over the past two decades, scholarship in architectural history has transformed, moving away from design studio pedagogy and postmodern historicism to draw instead from trends in critical theory focusing on gender, race, the environment, and more recently global history, connecting to revisionist trends in other fields. With examples across space and time--from medieval European coin trials and eighteenth-century Haitian revolutionary buildings to Weimar German construction firms and present-day African refugee camps--Writing Architectural History considers the impact of these shifting institutional landscapes and disciplinary positionings for architectural history. Contributors reveal how new methodological approaches have developed interdisciplinary research beyond the traditional boundaries of art history departments and architecture schools, and explore the challenges and opportunities presented by conventional and unorthodox forms of evidence and narrative, the tools used to write history.
Ukraine by
In the times when the Ukrainian art sphere was regulated by the Soviet institutions, local monumental and decorative arts existed at the frontier of the Party's propaganda and the artistic thirst to experiments. Nowadays, Ukrainian mosaics are wrested out of the architectural context of the country in both literal and metaphorical ways. The artworks are liquidated from the buildings they were specifically created for and indiscriminately despised as ideological pieces of no value. Furthermore, in legal terms mosaics are not defined as objects of art that makes them unguarded in the face of the decommunization process. Initially conceived as a guide, this book is an equally beneficial companion for the journey through space (in the context of the geographical area of modern Ukraine) and hitchhiking through time (in terms of Ukrainian cultural history). It incorporates the selection of Ukrainian mosaics which undermines the simplified perspective on the Soviet art heritage in Ukraine. The volume is generously supplemented with unique photographs of the documentary photographer Yevgen Nikiforov who continues the research, initially presented in the book Decommunized: Ukrainian Soviet Mosaics (2017). Together with the art historian Polina Baitsym who reveals striking linkages of the mosaics' plots with broader historical context, he will guide you through the testimonies of the genuine creativity of Ukrainian monumental artists which managed to flourish on the most infertile soil.
Soft City by
Imagine waking up to the gentle noises of the city, and moving through your day with complete confidence that you will get where you need to go quickly and efficiently. Soft City is about ease and comfort, where density has a human dimension, adapting to our ever-changing needs, nurturing relationships, and accommodating the pleasures of everyday life. How do we move from the current reality in most cites--separated uses and lengthy commutes in single-occupancy vehicles that drain human, environmental, and community resources--to support a soft city approach? In Soft City David Sim, partner and creative director at Gehl, shows how this is possible, presenting ideas and graphic examples from around the globe. He draws from his vast design experience to make a case for a dense and diverse built environment at a human scale, which he presents through a series of observations of older and newer places, and a range of simple built phenomena, some traditional and some totally new inventions. Sim shows that increasing density is not enough. The soft city must consider the organization and layout of the built environment for more fluid movement and comfort, a diversity of building types, and thoughtful design to ensure a sustainable urban environment and society. Soft City begins with the big ideas of happiness and quality of life, and then shows how they are tied to the way we live. The heart of the book is highly visual and shows the building blocks for neighborhoods: building types and their organization and orientation; how we can get along as we get around a city; and living with the weather. As every citizen deals with the reality of a changing climate, Soft City explores how the built environment can adapt and respond. Soft City offers inspiration, ideas, and guidance for anyone interested in city building. Sim shows how to make any city more efficient, more livable, and better connected to the environment.
Architectural Styles by
A hand-drawn guide to architectural styles throughout history Architectural Styles is an incomparable guide to architectural styles across the centuries and around the world. Modeled after an architect's plein air sketchbook, the volume features hundreds of detailed drawings by esteemed architectural illustrator Robbie Polley alongside incisive and informative descriptions. This unique guidebook takes readers from Europe and the Americas to Egypt, China, and India. It covers a host of historical and contemporary architectural styles, from ancient and classical to Pre-Columbian, Romanesque, Renaissance, Palladian, art nouveau, Brutalist, and biomorphic. It describes the histories and characteristics of the building traditions of each era and region of the world, and looks at key architectural elements such as buttresses, spandrels, curtain walls, and oculi. The book also includes a section on building parts--from domes and columns to towers, arches, roofs, and vaulting--along with a detailed glossary and bibliography. Comprehensive and authoritative, Architectural Styles is an essential resource for architects and designers and a must-have illustrated guide for anyone interested in architecture or drawing.
Building Bad by
In this book, the author argues that architectural functionality is often constrained by political and economic forces, while it is also effectively undermined by modes of expression. Utilitarian building elements--for example, windows or skylights intended to bring daylight into offices or factories--may be subject to excessive heat gain, thereby coming into conflict with an evolving politics of energy conservation and global warming mitigation. Yet at the other extreme they may be deployed as part of expressive systems whose value, understood in terms of symbol and metaphor, can overwhelm these utilitarian considerations. Politics and economics, in other words, establish lower and upper bounds for all utilitarian functions, whose costs and benefits are continually assessed on the basis of the profitable accumulation of wealth within a competitive global economy. Simultaneously, an artistic sensibility, also driven by competition, often contorts buildings into increasingly untenable forms.
Hare and Hare, Landscape Architects by
When Sidney J. Hare (1860-1938) and S. Herbert Hare (1888-1960) launched their Kansas City firm in 1910, they founded what would become the most influential landscape architecture and planning practice in the Midwest. Over time, their work became increasingly far-ranging, in both its geographical scope and its project types. Between 1924 and 1955, Hare & Hare commissions included fifty-four cemeteries in fifteen states; numerous city and state parks (seventeen in Missouri alone); more than fifteen subdivisions in Salt Lake City; the Denver neighborhood of Belcaro Park; the picturesque grounds of the Christian Science Sanatorium in Chestnut Hill, Massachusetts; and the University of Texas at Austin among fifty-one college and university campuses. In Hare & Hare Landscape Architects and City Planners Carol Grove and Cydney Millstein document the extraordinary achievements of this little-known firm and weave them into a narrative that spans from the birth of the late nineteenth-century "modern cemetery movement" to midcentury modernism. Through the figures of Sidney, a "homespun" amateur geologist who built a rustic family retreat called Harecliff, and his son Herbert, an urbane Harvard-trained landscape architect who traveled Europe and lived in a modern apartment building, Grove and Millstein chronicle the growth of the field from its amorphous Victorian beginnings to its coalescence as a profession during the first half of the twentieth century. Hare & Hare provides a unique and valuable parallel to studies of prominent East and West Coast landscape architecture firms?one that expands the reader's understanding of the history of American landscape architecture practice.
